After checking off my list of favorite books set in Italy, I found myself reminiscing about the delightful Italian films that I’ve enjoyed over the years. My love for Italian cinema began in the 1990s with gems like *Cinema Paradiso* and *Mediterraneo*. It flourished even more when I discovered classics such as *The Bicycle Thief* and Fellini’s *La Dolce Vita* during my film school days. After all, who needs sleep when you can immerse yourself in glorious Italian angst? After relocating to Italy, I decided that rewatching my beloved films could also serve as a language lesson. Little did I know that while honing my Italian skills, I would also realize that these films are masterpieces that have aged better than a fine Chianti. It’s no surprise that Italy has secured more Academy Awards for Best Foreign Language Film than any other country, with 14 wins and 31 nominations; they are practically swimming in statuettes!
Below are my top 21 Italian films: I’ve tried to include something for everyone, from the brilliant modern classic Life is Beautiful to the laugh-out-loud Il Sorpasso and almost everything in between. Enjoy.
Many of these films are now available on YouTube, Netflix, and other streaming services. All titles include links to previews for your convenience.
Watch on…..
In Federico Fellini’s lauded Italian film, restless reporter Marcello Rubini (Marcello Mastroianni) drifts through life in Rome. While Marcello contends with the overdose taken by his girlfriend, Emma (Yvonne Furneaux), he also pursues heiress Maddalena (Anouk Aimée) and movie star Sylvia (Anita Ekberg), embracing a carefree approach to living. Despite his hedonistic attitude, Marcello does have moments of quiet reflection, resulting in an intriguing cinematic character study.
Young Salvatore Di Vita (Salvatore Cascio) discovers the perfect escape from life in his war-torn Sicilian village: the Cinema Paradiso movie house, where projectionist Alfredo (Philippe Noiret) instills in the boy a deep love of films. When Salvatore grows up, falls in love with a beautiful local girl (Agnese Nano) and takes over as the Paradiso’s projectionist, Alfredo must convince Salvatore to leave his small town and pursue his passion for filmmaking. Oscar winner in 1987.
Unemployed Antonio Ricci (Lamberto Maggiorani) is elated when he finally finds work hanging posters around war-torn Rome. His wife, Maria (Lianella Carell), sells the family’s bed linens to retrieve Antonio’s bicycle from the pawnshop so he can take the job. However, disaster strikes when Antonio’s bicycle is stolen, and his new job is doomed unless he can find the thief. With the help of his lively son, Bruno (Enzo Staiola), Antonio combs the city, growing increasingly desperate for justice.
Paolo Sorrentino’s La Grande Bellezza is a compelling tragicomedy of Italy’s leisured classes in the tradition of Antonioni’s La Notte or Fellini’s La Dolce Vita. An ageing writer has spent many years seducing his way through the lavish nightlife of Rome for decades, but after his 65th birthday, he starts to look past the nightclubs and parties to find a landscape of exquisite beauty. Oscar winner in 2013.
This beautiful and heartbreaking film gives us a glimpse of the Holocaust, but it is really about love and the indomitability of humanity, even in the midst of inhumanity. It tells the story of a Jewish father and his family, who are surrounded by Nazi death camps. Living in this hostile environment, he uses humor to shield his young son from the grim realities of war. Oscar winner in 1998.
When exiled Chilean poet Pablo Neruda (Philippe Noiret) arrives on a tiny Italian island, there’s so much new mail that Mario (Massimo Troisi), an unemployed, uneducated layabout, is hired as a postman. His job is simply to deliver Neruda’s daily mail. Mario soon becomes a student of the poet, learning the art of poetry to woo a local barmaid (Maria Grazia Cucinotta) and tell about the struggles of the working-class villagers. A firm friendship develops, and the postman turns into a changed man.
Troubled Italian filmmaker Guido Anselmi (Marcello Mastroianni) struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements—romantic and otherwise—Anselmi finds his production becoming more and more autobiographical. Oscar winner 1963.
“My dears, happiness consists of being able to tell the truth without hurting anyone.” 8 ½
When handsome, successful Domenico (Marcello Mastroianni) first meets the sexy young woman Filomena (Sophia Loren) in Naples during World War II, he is instantly smitten. Flash forward to the postwar years, and the two meet again, sparking a passionate affair that spans two decades. But when Filomena, who has now become Domenico’s kept woman and has secretly borne his children, learns that her lover is planning to wed another, she stops at nothing to hook him into marrying her instead. Oscar was nominated in 1965.
Marcello Clerici (Jean-Louis Trintignant) is a member of the secret police in Mussolini’s Fascist Italy. He and his new bride, Giulia (Stefania Sandrelli), travel to Paris for their honeymoon, where Marcello also plans to assassinate his former college professor Luca Quadri (Enzo Tarascio), an outspoken anti-Fascist living in exile. But when Marcello meets the professor’s young wife, Anna (Dominique Sanda), both his romantic and his political loyalties are tested.
The ultimate Italian road comedy, Il sorpassostars the unlikely pair of Vittorio Gassman and Jean-Louis Trintignant as, respectively, a waggish, freewheeling bachelor and the straitlaced law student he takes on a madcap trip from Rome to Tuscany. An unpredictable journey that careers from slapstick to tragedy, this film, directed by Dino Risi, is a wildly entertaining commentary on the pleasures and consequences of the good life. A holy grail of commedia all’italiana, Il sorpasso is so fresh and exciting that one can easily see why it has long been adored in Italy.
Rosalba (Licia Maglietta), a middle-aged woman on a bus trip to Venice with her husband and her sons, is left behind at a rest stop off of the highway. As the days go by with no word from her family, she settles into a room at a local hotel and takes a job at a flower shop. When her husband and sons begin to miss her, they send a friend looking for her. “Bread and Tulips” is a warmhearted comedy about love, family, and friendship.
Dante, a kind-hearted but somewhat naïve individual, finds joy in driving a school bus for a group of children with mental disabilities. However, he feels that he is missing out on life and love. His excitement grows when, after nearly being hit by her car, he meets Maria, who appears to be instantly smitten with him. He is soon invited to her luxurious villa in Palermo, unaware that there is a hidden agenda behind the invitation. Dante bears an uncanny resemblance to Maria’s gangster husband, and for the criminals involved, it would be convenient if Dante were to be seen as dead and buried in place of the mobster.
In the slums of Campania, the Camorra crime syndicate has built a fortune from cocaine, corruption, and illegal waste disposal. Some individuals attempt to resist, such as teenagers Ciro (Ciro Petrone) and Marco (Marco Macor), who decide to steal a cache of Camorra weapons in an effort to gain control for themselves. Others, like Pasquale (Salvatore Cantalupo), a tailor trying to avoid paying protection fees, choose to hide instead. However, it soon becomes evident that the Camorra is too powerful and deeply entrenched in Italy to be challenged.o powerful and deeply entrenched in Italy to be challenged.
An Italian ship lands a small group of soldiers on a remote Greek island. Their mission is to detect enemy ships and defend the island in the event of an attack. Initially, the village appears abandoned, and there are no enemies in sight, so the soldiers start to relax. However, things take a turn when their ship is hit and destroyed by the enemy, leaving the soldiers stranded on the island.
To their surprise, the island is not deserted. Once the locals realize that the Italian soldiers pose no threat, they emerge from their hiding places in the mountains and resume their peaceful lives. In the end, the soldiers discover that being left behind on a forgotten Greek island isn’t such a bad experience after all. This film won an Oscar in 1991.
“La Strada” is a 1954 Italian drama film directed by Federico Fellini, based on a screenplay he co-wrote with Tullio Pinelli and Ennio Flaiano. The film follows the story of Gelsomina, a simple-minded young woman who is purchased from her mother by Zampanò, a brutish strongman. The film won an Oscar in 1956.m won an Oscar in 1956.
Three different stories highlight Italian social mores.
In “Adelina,” Carmine Sbaratti, who is unemployed, and his wife, Adelina, struggle to make ends meet by selling black market cigarettes on the street. They are unable to pay for the furniture they purchased, which is registered under Adelina’s name. Despite this, they manage to evade the bailiff when he comes to collect the money or repossess the items. To avoid Adelina facing prosecution for non-payment, they devise a long-term solution that profoundly impacts the family, particularly Carmine.In “Anna,” Anna Molteni, the pampered wife of a successful businessman, finds herself on the brink of an affair with an artist named Renzo. Feeling neglected in her marriage, Anna perceives her husband as being more concerned with his success and wealth than with her. However, a car accident prompts both Anna and Renzo to reconsider whether an affair is truly what they desire.In “Mara,” the story revolves around Mara, a prostitute who operates out of her apartment. This film won an Oscar in 1964.ves around Mara, a prostitute who operates out of her apartment. This film won an Oscar in 1964.
In Milan, Lidia (Jeanne Moreau) suddenly storms out of a posh gathering held to honor her husband, Giovanni (Marcello Mastroianni), who has just written a new novel. Distressed at the news that her friend Tommaso (Bernhard Wicki) has a terminal illness, Lidia begins roaming the streets of the city, questioning her marriage to Giovanni. Meanwhile, Giovanni, seemingly oblivious to his crumbling relationship with Lidia, attempts to seduce beautiful ingénue Valentina (Monica Vitti).
This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village, Inviolata, is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city of Lazzaro is like a fragment of the past lost in the modern world.
Seven long-time friends get together for dinner. When they decide to share with each other the content of every text message, email, and phone call they receive, many secrets start to be revealed, and the equilibrium trembles.
Malèna is about the peril of beauty through the eyes of a 12-year-old boy named Renato. He experiences three things on the same day: the beginning of war, getting a bike, and seeing the arrival of Malèna in town. Through his eyes, we see the curse of beauty and loneliness of Malena, whose husband is presumed to be dead, and through his soul, we see his love for her.
The magnificent Giulietta Masina (Fellini’s wife) plays an eternally optimistic Rome streetwalker with a heart of gold and a head of cotton candy in her husband’s Oscar-winning masterpiece. This funny, poignant classic inspired the musical “Sweet Charity” and is a must-see. Oscar winner in 1957.
“A different language is a different vision of life.”Federico Fellini
Well, I hope within this list you have found something new to watch that ‘tickles your fancy’ or perhaps rediscovered an old classic you may have forgotten about.
Do get in touch to let me know if I have missed one of your favourite Italian films or if you have a film suggestion to add to my list.
A curious adventurer living la dolce vita, creating insightful stories as a freelance writer, content creator, and printmaker, guiding you through the exquisite world of fine food, wine, art, and all things Italian.
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Wow what a list! Anything with Sofia and Marcello in gets my vote everytime. Looking forward to seeing some newer ones too and remember seeing ‘La Scorta’ when we were liv8ng in Catania years ago. That was very good and about a group of police bodyguards.
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